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im-age ar´chae-ol´o-gy™, [im-ij] [ahr-kee-ol-uh-jee], n. 1. The systematic recovery by artistic methods of imagery within the ground of a painting. 2. A dig into the surface ground with the butt of a paintbrush to imprint an image. 3. The space between the figure and the ground from which emerges a skeletal impression of an image. 4. A constant searching for the middle ground through the application of paint and projected thought that culminated into a work of art.

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Showing posts with label image archaeology. Show all posts
Showing posts with label image archaeology. Show all posts

Tuesday, July 14, 2009

Dubai, 60" x 54", acrylic, 2009

 
Some paintings seem to flow off the brush naturally as if the image was waiting to be discovered within the canvas ground.  Dubai is one of these paintings where each stroke felt complete.  The painting is inspired by a photographer friend of mine who shoots images all over the world.  His photo, Dubai is of similar palette--a warm purple red with layers of pink overlaying.  Pink is the color of unconditional love and its a color I am embracing in my own life this summer. 
I bought a huge pink purse and some pink shoes along with pink shirts and underwear.  I can't seem to fill my life up with enough pink and it reflects the new inspiration I have found in my life and my work.
I am opening a gallery/studio in my hometown of Vienna where I will teach students and workshops on painting.  More to come on the studio and its location.  Hope you are having a wonderful summer as I am having the greatest summer and adventure of my life.  I just sold my house and am moving back into town.  Yes I am a townie--a vienna townie and proud of it.



Friday, May 22, 2009

Sweet Gum, 54" x 56", acrylic

I had a conversation with a toad  yesterday. He appeared under the big tree called Robins Roost--my favorite spot in the world.  It was truly a moment of being present--spending some time with this tiny little creature.  He climbed onto my hand and sat with me for a while.  I talked and he listened and the conversation was purely one sided. It is so nice to be able to talk and have someone listen to you. The toad had a quiet gentle personality. He was unimposing and exuded virtues I most admire in others. He was beautiful, and the colors on his skin were made of beautiful stripes of black, yellow and brown--the artist pallette of raw sienna mixed with some greenish hue.  These are colors I would like spend some time working with on my next painting.

I do hope he returns the next time I am sitting under my favorite tree. It simply was a joy just to sit and do nothing but enjoy nature and its bounty and be present with a friendly toad. 

The sweet gum painting was finished today. It  is a quiet painting as well, and  am happy with the final results.

The next several weeks will be busy with teaching a summer painting class at NVCC Loudoun campus.  In the meantime, enjoy this nice weather and if you run into a toad , you may be surprised at what good company they can be.  The best things in life are free and sometimes come unexpectedly.

Thursday, May 7, 2009

Pinergy, 50" x 70", Acrylic


I have finally finished this painting that I started last month. It has gone through many generations of color and layering and it seems to be "needy". I decided not to give her any more energy due to the lack of energy in my field lately. There are so many layers to paintings just like in relationships. Paintings are complex and never solved. They seem to be organic in nature and like relationships they unfold and sometimes get smothered in too much paint.

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