Today I began the journey of building up the surface of this large painting. I used a lot of gel medium along with the scraper to build out the image. I applied a coat of burnt sienna and then scraped it away only to realize I needed a darker earth tone. I rubbed burnt umber into the acorn image and spread out the darker tone throughout the ground. Next I scraped away and revealed a darker imprint. The final stretch was spent taking the canvas off the wall and balling it up to make it look older and worn. I then threw clear water and watched it etch into the surface lines that drip revealing areas of light from beneath. I battled with this canvas and walked away pleased with the wining results. When the surface has enough areas built up I can then begin the long and tedious process of brushing over light layers of pigment to conceal and reveal the image. I find myself concealing and then revealing with each layer of paint. Each brushstroke adds or subtracts from the surface ground and builds on top of one another.
im-age ar´chae-ol´o-gy™, [im-ij] [ahr-kee-ol-uh-jee], n. 1. The systematic recovery by artistic methods of imagery within the ground of a painting. 2. A dig into the surface ground with the butt of a paintbrush to imprint an image. 3. The space between the figure and the ground from which emerges a skeletal impression of an image. 4. A constant searching for the middle ground through the application of paint and projected thought that culminated into a work of art.
Monday, March 9, 2009
Studio Session, March 9 2009
Since August 8, 2008, I have been inspired by the painting a day phenomenon that is happening in the blogsphere. This truly is an art movement. I started my first daily painting with a tomato from my summer garden. I will also be using my “Earth Objects” as inspiration. This should be an interesting ride.
My plan is to post a painting a day at least five days a week. Please feel free to "feed your burn" and tell other art lovers about this blog site.
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