im-age ar´chae-ol´o-gy™, [im-ij] [ahr-kee-ol-uh-jee], n. 1. The systematic recovery by artistic methods of imagery within the ground of a painting. 2. A dig into the surface ground with the butt of a paintbrush to imprint an image. 3. The space between the figure and the ground from which emerges a skeletal impression of an image. 4. A constant searching for the middle ground through the application of paint and projected thought that culminates into a work of art.

Monday, September 1, 2008

Pod #2


Todays pods are more to the point that I am trying to state in this work. The colors and the texture seem to pop out better than pod#1. I was being too careful yesterday. I find myself being careful a lot with these smaller works. As I stated yesterday, I find these pods or rather they find me during my morning walks. Today a group of pine pods--the color of muted citrus green--showed up at my sons soccer game. I walked into a grove of trees and there they were--dappled around a maple tree. At first I was puzzled and wondered if they were maple pods, but quickly figured out that it was the nearby pine trees that delivered these latest gifts. I plan on painting the group of pine pods I collected today during tomorrows daily painting session.

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