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im-age ar´chae-ol´o-gy™, [im-ij] [ahr-kee-ol-uh-jee], n. 1. The systematic recovery by artistic methods of imagery within the ground of a painting. 2. A dig into the surface ground with the butt of a paintbrush to imprint an image. 3. The space between the figure and the ground from which emerges a skeletal impression of an image. 4. A constant searching for the middle ground through the application of paint and projected thought that culminated into a work of art.

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Thursday, January 15, 2009

Green Leaf, Acrylic on Canvas,




















This image is one from my earth objects series. This leaf was collected during a hike on the trail near my home in northern Virginia. Earth objects are images of objects that are scanned into my computer and manipulated in photoshop to extract the "skeleton" of the image. I then carve the image directly into wet gesso on canvas with the butt of a paintbrush. This is a "carving into process", that I have been developing for many years. The carving leaves a nice texture on the surface giving the image a sculptural look.

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