My research on the alphabet has lead me to correlations in my work with asemic writing. The definition I like best is that asemic writing is the continuum between text and image. This is similar to the looping process that I discuss in my dissertation with regard to visual metaphor.
Asemic Diagram
Tim Gaze and his Asemic diagram
Sinking Map Loops
A visual metaphor is a bi-directional
thought. For example: “the warts on her
nose look like a big green pickle and a pickle looks like a nose with
warts”. Both the pickle and nose with
warts are words that can be images and both images are bi-directional. Because visuals have this bi-directionality,
visual metaphors do not need to be based on logic since they rely on
perception. Barry (1997) states
that “the creative mind is mainly oriented by perception and only in a later
stage by reason” (p. 72-73). Sinking maps develop visuals from cognitive thoughts
or ideas. This bi-directional process of
when perception feeds conception and conception feeds perception forms a
looping pattern. According to St. Clair
(2005):
There
are other ways of knowing the world and they are not structured in the same way
as language systems. Visual systems, for example, are not linear…there is the
philosophy of structural communication. A significant part of this model is the
reality-loop in which meanings are externalized into forms and already
established forms are interpreted into a system of meaning forming a reality
loop. Meaning takes place within these loops. (p. 85-101)
A great visual metaphor to represent
this looping process is the Fibonacci spiral (figure 17). St. Clair (2005) uses this diagram of a Fibonacci
Spiral in his research on visual metaphor to show how mathematics is the
conceptual formula for an existing visual in nature—a nautilus shell (figure
18). The spiral of the chambered
nautilus is a logarithmic spiral. This
form can be found in the human body and nature, for example the inner ear and
the star
cluster nebula.
cluster nebula.
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