The act of painting—the approach to the process—is about being
present and my approach to painting is a mindful act. Eckhart Toile’s
book, “The Power of Now”, influences my approach to the process of
painting. Tohle is a constant reminder that being present with oneself
is the only true reality; and is my way of getting into that frame of
mind I left behind during play in childhood.
I grew up playing in the wooded areas of Northern Virginia near a
stream called Difficult Run. My formative years were spent building
tree forts and rubber tire rafts alongside this stream bed. Today I
still live close by the stream where I find and collect the natural
forms for my work called “Earth Objects”.
“Earth Objects” are small pods, acorns, and leaves etc… that I
collect during walks on the W & O foot trail. I refer to myself as
an “Image Archaeologist™. And my personal iconography is based on the
discovery of objects in nature in their native environment. After
finding an object, I take it home and digitize it with my camera. I
then manipulate the photo in a software program called Photoshop to
uncover the objects underlying structure. The uncovering process is
really a series of filters that I use in Photoshop to remove the
objects “outer skin” and reveal its “skeleton”. Once I feel I have the
“skeleton”, I can then take the image to canvas.
I staple wet gessoed canvas onto my studio wall and project the
image onto the canvas. I then carve into the wet gessoed canvas with
the butt of a paintbrush an imprint of the “image skeleton”. I scrub
into the surface ground with multiple layers of paint and rub paint
into the grooves of the dried gesso surface. Additional layers of
paint are then brushed lightly over the beveled edges of the image to
unearth the skeletal impression. More layers of paint are brushed on
and wiped away as the image becomes the surface ground and the surface
ground becomes the image. It is this process of digging into the canvas
and discovering the object within the corporeal ground that makes it
“Image Archaeology” ™.
There is a constant searching for the middle ground—the space
between the figure and the ground—through the application of paint and
projected thoughts. What remains behind or merges into existence is
this exchange of energy between me and the picture plane that
culminates into a work of art.
Currently my process is becoming time based. I am developing time
based videos of the studio process and the new work in progress.
im-age ar´chae-ol´o-gy™, [im-ij] [ahr-kee-ol-uh-jee], n. 1. The systematic recovery by artistic methods of imagery within the ground of a painting. 2. A dig into the surface ground with the butt of a paintbrush to imprint an image. 3. The space between the figure and the ground from which emerges a skeletal impression of an image. 4. A constant searching for the middle ground through the application of paint and projected thought that culminated into a work of art.
Friday, February 8, 2013
Artist Statement
Since August 8, 2008, I have been inspired by the painting a day phenomenon that is happening in the blogsphere. This truly is an art movement. I started my first daily painting with a tomato from my summer garden. I will also be using my “Earth Objects” as inspiration. This should be an interesting ride.
My plan is to post a painting a day at least five days a week. Please feel free to "feed your burn" and tell other art lovers about this blog site.
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