1

im-age ar´chae-ol´o-gy™, [im-ij] [ahr-kee-ol-uh-jee], n. 1. The systematic recovery by artistic methods of imagery within the ground of a painting. 2. A dig into the surface ground with the butt of a paintbrush to imprint an image. 3. The space between the figure and the ground from which emerges a skeletal impression of an image. 4. A constant searching for the middle ground through the application of paint and projected thought that culminated into a work of art.

Pages

Tuesday, June 11, 2013

The Bridge

The Bridge, 1993, Joan Marie Giampa
I feel as if every painting is a bridge to the next painting. There is no time to reason when working. The term abstract is abstract to me in the sense that everything is abstract beyond the objective. Art is subjective and subject to the analytical. It can be felt and experienced during the creative process as well as during the viewing process. I prefer to feel my way through the process and then analyze afterward--like most. It is difficult to analyze ones work. 

Looping Process,  2004, Joan Marie Giampa
My teachers told me to leave that part to the people who do that best--curators and writers. Language and art is a looping process for this artist. One feeds the other. As a trained visual communicator it was important to decipher the process--deconstruct--in order to teach it. In other words which came first--the picture or the word. We know that symbols or pictures came before words and words can look like symbols, but our conscious mind likes to direct traffic and categorize the words into pictures and pictures into words. 

Its a looping process kind of like the fibonacci spiral. But the question remains, do we need to create a language to be abstract. I think not. I think that a language evolves as the artist evolves and every stroke, color, and texture extruded speaks a truth that is individual to the artist.



No comments:

Post a Comment